Posts Tagged 'clapping'

Ya Boo Sucks: Please Don’t Boo JEdward!

John and Edward perform on 'The X Factor'

I do not like The X Factor, but during the series that has just passed I found reason to watch it (or at least some of it). Their names: John and Edward (‘JEdward’). The young Irish brothers were not the best of singers, but they were performers. They danced their socks off (sometimes not in time to the music or each other) but it was clear to see that they were having great fun doing what they clearly enjoyed. However, every time they came on stage during the live shows the studio audience would boo and hiss as if Hitler had risen from the dead just to come on to perform ‘I Did It My Way’.

John and Edward coped magnificently during their ritual humiliation each week. They did not once acknowledge the blood-hungry mob of an audience; they just smiled, soldiered on and did what they liked doing best. Even now (they are currently promoting their debut single ‘Under Pressure’) some people have the audacity to boo them. But why do people feel the need to boo?

There are always going to be people in life that we do not like, wish to associate with, or want to support. Yet this does not give us carte blanche right to berate them. If we do not wish to encourage or acknowledge someone, then we just do not clap (or clap less). There is no need to boo, hiss and shout insults. In doing this it does not make the booer more superior than the person they are booing. If anything, it makes the booed look vastly better and more righteous.

It must be something about the mentality of a crowd. Humans obviously feel that when en masse we can get away with doing things we would never dream of if we were on our own. Look at the proposed video the UK’s Football Association (FA) were going to launch this week to combat homophobia at matches. The video uses the shock tactics of showing a businessman walking around his office shouting pejorative words at his homosexual colleagues. The caption reads ‘this sort of behaviour is not acceptable here…’ The action then switches to the same man in a crowd at the football match shouting similar words to players on the opposition and the referee. The caption changes to: ‘so why should it be acceptable here?’

Presumably this mentality can be linked to the JEdward/X Factor situation. If we saw the pop stars walking down the street, we would not boo them as we passed, but if there are 400 other faces around us, we obviously feel like we won’t get caught. Not only is this the height of cowardice, but also is it rude. If we do not agree with someone’s view, believes, lifestyle or performance, then we should just be quiet and learn to deal with it. No one is asking anyone to convert to being a JEdward fan (for the record, I am) or switch their opinion on a certain matter, but just to respect other people’s rights. There’s something just not cricket about it all, if you ask me.

William Hanson
Tutor, The English Manner

Clapped Out: Concert Manners

6a00d83451c83e69e200e54f2a78db8833-800wiGood manners are not a thing of the past and apply to all aspects of modern life, including concerts. We’ve all been at one where the person behind you starts explaining loudly what’s going on to their friend, or continually rustles their programme. Here are some important tips to remember to ensure you behave correctly and respect other concertgoers.

In the Auditorium

If other audience members arrive to take their seat, which is beyond yours, the polite thing for gentlemen to do is stand up to let them have a clearer passage. Women should turn their legs in the direction the person is travelling. People sitting at the end of aisles should get out and stand in the aisle until passage is clear.

Coughs, sneezes and sniffles should be ‘caught’: make sure your wardrobe on the evening includes a handkerchief. If the ailment persists, leave the auditorium until it subsides.

Share your programme (American’s call it ‘Playbill’) with others if they ask. There’s no need to be possessive.

During operas, it is usual to applause after the overture, an impressive aria, the end of a scene or act, but never whilst someone is singing. At concerts, it is expected for you to clap between different compositions but never between movements. ‘Whooping’ is never correct. We’re at Mozart not McFly.

At the End of the Evening

Do not leave during the encore or whilst the orchestra is bowing. Wait until the house lights have been taken up before you move.

At the end of the concert or during the interval, save your elaborate critique until you’re behind you own closed doors. Don’t try to impress others by shouting loudly about technical aspects of the music or performance.  Others may have enjoyed the night even if you didn’t; there’s also a chance one of the ‘star’s’ family or friends could be around you.


William Hanson
Tutor, The English Manner



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